Meandering Dark Remake Swallows Itself WholeBy
Morgan P Salvo
½ star
I left this movie with several questions. First, why are remakes of Asian films so high in demand? It seems like an exercise in wasting time and money. Beyond that, why do Asian filmmakers like Takashi Shimizu (The Grudge) and now The Pang Brothers remake their own movies? Americanization saps the mystique and charisma out of the originals. We didn’t see John Woo come over here and start re-making all of his flicks. (No, he had the good foresight to make new, crappy American movies.) And what’s the deal with Nicholas Cage? I remember a time when he was good. Problem is that he has made so many bad movies that it’s getting hard to tell if anything he’s in is good anymore. I take that back. Bangkok Dangerous is not good –and it’s easy to tell.

Bangkok is the moody and dark story of a lonely hit-man, Joe (Cage), who decides to befriend his chosen courier (Shahkrit Yamnarm) instead of disposing of him because he “sees himself in him”. Yeah, right. The side kick-mentor-teacher-pupil aspect immediately tears out the bottom on believability. Everyone knows a hit-man cannot trust anyone, yet right away he befriends someone Here we have yet another in a string of hit-man movies wherein the dude doing the killing gains a conscience somehow along the line of work, breaks all his own rules and then gets into trouble with the bad guys. Only sensible way is to shoot it out. No plot twists, no tricks, just straight forward storytelling no matter how far fetched and ridiculous it gets. 
In the first BK the assassin’s name was Kong; this time that’s the side kick’s name. In the 1999 original the assassin was a deaf mute; this time he dates a deaf mute--- are you following me here? The deaf hit-man premise allowed for a very cool touch: he cannot hear the sound of the gun hence he has no feelings. Cage’s character looking all hangdog/ lackadaisical can hear everything and still has no feeling or any motivation, sucking the life out of a movie that already feels likes its going nowhere in slow motion. Kong and Joe build love interests outside of their blossoming feelings for each other. Kong courts a dancer at a club who never seems to strip and Joe is smitten in a drugstore by the deaf mute counter girl (Charlie Yeung). Since when are we supposed to believe that a hit-man is naive enough to be nervous on dates and act like a teenager?
There are a few decent gore scenes, and nice use of elephants. The Pang Brothers make movies look cool (The Eye, The Messengers) and are big on style. But stylization cannot mask stupidity which this movie has in spades. BK tries way too hard to be dark and heavy. What it ends up resembling is those shot-in-the Philippines action flicks churned out by the hundreds in the 80’s. BK is a re-hashing of roughly a gazillion different movies about redemption and triumph over evil done in a bad way, ending in typical good guys over bad guys: case closed.The original illustrated the influence American movies had on Asian films. This remake transposes it to being an American film, defeating the purpose. Upon leaving the theatre shaking my fists to the sky, my biggest question was, why was this movie even made?
Bangkok Dangerous
Starring Nicholas Cage
Directed by The Pang Brothers





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